Sunday, February 27, 2011

the best day i've had in i don't know how long...


...was auditioning for the lead actor in the movie i'm adapting from my novel 'Hipster.' There's a new name but I can't tell you yet because good ideas have a way of showing up on other peoples' slates before you can say 'that's so hollywood.'

ANYWAY.

the incredible beauty, passion, hotness, BRILLIANCE of the men who stood in front of my camera and delivered the lines i'd written was as close to REALLY high as I've come in a looooooong time.

This is the lead (he's accepted the offer) for my new film. Don't tell anyone. (Can you see why I'm excited and inspired?!)

And wait 'til you see the Jack Nicholson-reminiscent bad-boy 'real artist' who's going to dance with him onscreen (awaiting his acceptance to the offer that was sent off tonight ;)

Tuesday, August 10, 2010

good advice

The best way to prepare for a Big Shift is to cultivate mental and emotional states that ripen us to be ready for anything:

* a commitment to not getting lost inside our own heads;

* a strategy to avoid being enthralled with the hypnotic lure of painful emotions, past events, and worries about the future;

* a trust in empirical evidence over our time-worn beliefs and old habits;

* a talent for turning up our curiosity full blast and tuning in to the raw truth of every moment with our beginner's mind fully engaged;

* and an eagerness to dwell gracefully in the midst of all the interesting questions that tease and teach us.

Everything I just described also happens to be an excellent way to prime yourself for a chronic, low-grade, always-on, simmering-at-low-heat brand of ecstasy -- a state of being more-or-less permanently in the Tao, in the groove, in the zone.

Tuesday, August 3, 2010

So how does a writer develop voice? I don’t know exactly, but I think it has something to do with being as genuine as you can be in a given moment. It’s like having a conversation with your truest self. And you’re really listening. And you write it down.
from http://bit.ly/caS2oS

Saturday, July 31, 2010

this is my life these days


good food. good writing. occasionally combining the two.

Thursday, July 8, 2010

creepy new excerpt from my novel

I have brought it to this point. This love point, where she is experiencing that thing that the commoners think they’ve achieved, like a pinnacle, the place where now they begin to contemplate the possibility of ever-higher peaks, partnership for all of eternity. Good for them.
For me, this is the beginning of the end. What I must do now is prepare everything for the break-up, so as to ensure a more beautiful, a more meaningful, a more complete work of art.
But meanwhile, I am not so unlike a man – if anything I am so much more so than most – that I cannot enjoy the spoils of this surrender. There is a cooing fruitbasket of earthly delights lying across my lap holding a basin of spirits to my lips, fanning me with humid, airey affection.
Yes, please. And I feel the fire in my belly and this time, like an AA having a drink for New Years, like a vegetarian dutifully doing turkey on Thanksgiving, like smoking because some devastation justifies the peace of a poisoned inhalation, I do not push it away.
“Look, I’ll do it for you,” I say, putting my hand around the thick, grooved bottleneck and she reaches upwards and over, running her own along my cheek like butter melding into bristle.
Yes, please. This is fun. Really. Even those gnawed little fingertips look like a bowlful of cherries tonight. Just for tonight.
“I’ve been waiting for tonight,” I allow myself to tell her.
“Really?” she coos. “I thought you were hinting at wanting this.” She looks so pleased with herself, the flushed security in the temporary surety that her charms have gotten her what she wanted. “I feel like we’re a J.Lo song right now,” she giggles, trilling Waiting for tonight, oh, oh, oh, oh in a little falsetto.
It’s ok to add a smear of cheesy hot pink to the canvas, just now. Black slashes will layer and obscure it soon enough.
It’s a process.
And there’s nothing more fulfilling in intelligent conversation than a double-meaning that your victim can recall later, in stupefied wonder and reluctant admiration at your own structured, sculpting genius.
Women don’t want to admit it but they want a half-devil. Oh Jolene, you’re welcome, Jolene. You will remember this forever, your own drama, your own romantic epic fall from grace that most can only watch or imagine, sitting snug and monotonous in a broken-springs couch behind a screen of cowardly voyeurism.
You deserve so much more, so much more my adventurous, dumpster-flipping, nail-biting sweet Joleen, so much more and that is why I’m taking the time to give this to you.
Do you know how fucking cool you’re gonna be after this?

Wednesday, June 16, 2010

i have so much to do.


which is why i'm taking the time to read up on 'how to create the perfect messy side bun' right now.

but when i'm done procrastinating, of note for novel:

-i need a street, gypsy character; hooded harlequin: idealist but desperate, flimsily brilliant.

-i need a charming user villain: so full of entertaining creativity he gets away with being a narcissist sociopath.

- i need jolene character's background to be sufficiently planned prior, to accomplish an organic depiction of transition from creepy controlled certainty to wide-eyed, desperate uncertainty. EVERYTHING taken away. Make the reader feel it, make the reader care.

Tuesday, June 15, 2010

ok things iz hectic


so i'm gonna just start posting things here to remember to write about as soon as my job ends and i begin to write fulltime.

- the hare krishna egg-throwing, cross-dressing venice beach day.
- the tranny-living-at-my-house saga